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Running your production

Show structure

Break your show into scenes and beats, and track who's in each one.

The Show page holds your script as structure: the scenes and Beats that drive rehearsal planning, call sheets and casting. It works for a musical or a straight play.

You will find it under Production in the menu on the left. It has two tabs: Characters and Structure.

Screenshots show the light theme. The app looks the same in dark.

How to add a character

  1. Open Show ▸ Characters.
  2. Click Add Character.
  3. Type a Character Name. This is the only required field.
  4. Fill in any audition requirements that apply: voice type, vocal range, age range, gender, dance level, dance type and a casting note.
  5. Click save.
The Characters tab, listing every role in the show with its voice type and age range.
Characters are the roles. Auditions and casting both read this list.
The Add Character dialog, with name, voice type, vocal range, age range and dance level.
Only the name is required. The rest shapes what auditionees are asked.

Anything you fill in is shown to auditionees on the public sign-up page. Anything you leave blank is not shown. To stop publishing a detail, clear the field.

Characters are the roles auditionees express a preference for, and casting somebody as Accepted links them to their character automatically.

Ensembles, chorus and any other group

A character can hold as many people as you like. Use this for an ensemble.

Make a character called Ensemble, or Chorus, or Villagers, or as many groups as your show needs. Cast everybody into it. It then behaves as one role everywhere: one card on the casting board, one tick on a Beat, one group in the call.

If you are auditioning for a group and not for named parts, turn Collect role preferences off on that audition session.

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How to build the running order

  1. Open Show ▸ Structure.
  2. Click Add Act and give it a name.
  3. Click Add Scene inside that act.
  4. Click the arrow beside a scene to expand it.
  5. Click Add Beat, type a title, and choose its type: Musical Number, Dialogue, Business or Tech Moment.
  6. Tick the characters in that Beat as you create it. The cast picker is on the form.
The Structure tab, with acts containing scenes and scenes containing Beats.
Acts hold scenes, scenes hold Beats, and each Beat carries its cast.

The levels are not optional. A Beat always sits inside a scene, and a scene inside an act. That is how Prompter works out who is needed at a rehearsal.

A Beat is a unit of the show inside a scene: a song, a dialogue exchange, a dance break, whatever you rehearse as a chunk. You can then plan a rehearsal around "we're working Beats 4 to 7".

Typing a show in quickly

Every form for an act, scene or Beat has three buttons: Cancel, Save, Close and Save, add another. Pressing Enter does the same as "Save, add another", so you can type a run of Beats: title, Enter, title, Enter.

On Beats the button says Save, add similar, because the type and the cast you ticked carry over to the next one. Only the number and title clear.

Each form sits directly below the list it adds to, so new rows appear where you are working.

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How to change who is in a Beat

  1. Open Show ▸ Structure.
  2. Expand the scene.
  3. Click Cast on the Beat's row.
  4. Tick or untick characters.

Call sheets are built from the characters ticked on each Beat. Casting somebody through Auditions gives them their role. It does not put them into the running order. Once your Ensemble is cast, open the Beats it appears in and tick it there. If you skip this, the call sheet comes out empty.

Prompter will not guess for you. A Beat with nobody ticked calls nobody.

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How to cast a whole scene at once

You can do a whole scene in one go.

  1. Open Show ▸ Structure.
  2. Find the scene you want. You do not need to expand it.
  3. Click the people icon on the scene's row.
  4. Tick everyone who appears anywhere in that scene.
  5. Click Add to n Beats.
The Add cast to every beat dialog, listing the show's characters with tick boxes.
Tick once and it applies to every Beat in the scene. It never removes anyone.

This only adds. A Beat that already has its cast keeps it, so you can use it on a scene you have part-finished. Tech Moments are skipped, because nobody appears in a scene change.

Then tidy up the odd Beat where somebody is off stage, using Cast on that Beat's row.

Structure tells you where you still are short. If any Beat has nobody attached, the top of the tab says so, for example "3 of 4 Beats have no cast attached", and explains what it costs. Clear that line before your first rehearsal.

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Why it is worth doing early

Set your structure up in Planning. Call sheets pull the cast of whatever you are rehearsing. Auditions collect preferences against real roles. Your rehearsal schedule links to the exact scenes being worked.

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